Thursday, 28 April 2016

Act 3 Scene 4 UPDATED WITH ADDITIONAL GUIDANCE

1. Read Act 3 Scene 4 or use the audio guide HERE (password: girlsaloud)


2. Next answer the following questions in full sentences as well as supporting references and post to your blog





Act 3 Scene 4
1. In line 25, why do you think Emilia lies to Desdemona about the handkerchief?

2. In line 107, how does Emilia's view of men differ from Desdemona's view of Othello?

3. In line 126 what is the irony in Desdemona's statement?

4. Who is Bianca? How does she endup with Desdemona's handkerchief?

5. What does Bianca agree to do for Cassio?

6. Do you think Othello is telling the truth about the handkerchiefs curse?

BIG QUESTION 1



booby

(ˈbuːbɪ)
n, pl -bies
1. an ignorant or foolish person
2. Brit the losing player in a game


Othello: A Bloody Farce
by THOMAS RYMER


Thomas Rymer on the handkerchief


So much ado, so much stress, so much passion and repetition about an Handkerchief? Why was not this call'd the Tragedy of the Handkerchief? … Had it been Desdemona's Garter, the Sagacious Moor might have smelt a Rat: but the Handkerchief is so remote a trifle, no Booby, on this side Mauritania, cou'd make any consequence from it. [160]


1. Reflect on Act 3 scene 4 so far. Do you think Rymer's criticism that Shakespeare's use of the handkerchief as a dramatic device is flawed is valid? You must give reasons for your response, with quotations from the play to support your opinion.

 - Consider what Othello says about the handkerchief
 - Consider Emilia's feelings towards the handkerchief




Post your answer to your blog, and be prepared to share what you think with the rest of the class. (You can present your answer in whatever form you like, as long as it can be posted on your blog.)

UPDATED GUIDANCE/THINKING


Perhaps we might think about the handkerchief as Iago does:

Trifles light as air

Are to the jealous confirmations strong

As proofs of holy writ.




Judged by this reasoning, it is no wonder that Othello is driven to distraction and illness, bringing on a fit of epilepsy, by something as seemingly trivial as a handkerchief. Its very triviality highlights the infectious, irrational nature of jealousy and in so doing, highlights the weak foundation of this tragedy: which is, in its essence, that a piece of mundane fabric can destroy even the most loving of relationships. Such is the fragility of the tragic hero. (FutureLearn website)







BIG QUESTION 2







‘Othello’s nature is all of one piece.  His trust where he trusts is absolute.  Hesitation is almost impossible to him.  He is extremely self-reliant and decides and acts instantaneously.  If stirred to indignation … he answers with one lightning stroke.  Love, if he loves, must be to him the heaven where either he must live or bear no life.  If such a passion as jealousy seizes him, it will swell into a well-nigh incontrollable flood.’

 
A. C. Bradley Shakespearean Tragedy  (Palgrave Macmillan)

1. Reflect on Act 3 scene 4 so far. Do you think Bradley's view that Othello is 'extremely self -relient' is accurate? You must give reasons for your response, with quotations from the play to support your opinion.
 - Consider whether this contradicts the belief that Othello's status as an outsider is his fatal flaw.
 - Consider whether you think Othello required a lot of persuasion to doubt Desdemona or whether Iago was able to easily manipulate him


Post your answer to your blog, and be prepared to share what you think with the rest of the class. (You can present your answer in whatever form you like, as long as it can be posted on your blog.)



Wednesday, 20 April 2016

Today's lesson

Post your completed Act 3 Scene 3 answers onto your blog


Scan in your big question answers and upload to blog


Answer today's 'even bigger question'


Make improvements to your extract answer and type up onto your blog

Tuesday, 19 April 2016

An even bigger question


A. C. Bradley Shakespearean Tragedy (Palgrave Macmillan)

 ‘Othello’s nature is all of one piece. His trust where he trusts is absolute. Hesitation is almost impossible to him. He is extremely self-reliant and decides and acts instantaneously. If stirred to indignation … he answers with one lightning stroke. Love, if he loves, must be to him the heaven where either he must live or bear no life. If such a passion as jealousy seizes him, it will swell into a well-nigh incontrollable flood.’


Having read Act III how far do you agree with A.C. Bradley’s view of Othello?

 

Monday, 18 April 2016

Act 3 Scene 3 Study Questions

Answer the questions below and post to your blog


Scene 3:

For what two reasons does Desdemona agree to plead Cassio's case?

What is Iago referring to when he says, "Ha! I like not that."

After Othello repeatedly urges Iago to tell him what's on his mind, Iago says "O, beware, my lord, of jealousy;/It is the green eyed monster, which doth mock / The meat it feeds on." What is Othello's response? What does he want from Iago?

What does Iago say about the women of Venice?

What contextual evidence do we have to support Iago's views of Venetian women?

Why might this cause Othello to believe this or, at least, not dismiss it immediately?

Who echoes Brabantio's earlier warning to Othello?

In his duplicitous fashion, what bold statement does Iago make about Desdemona and Othello?

Desdemona's handkerchief becomes an imposrtant piece of stage business. Why did Desdemona produce it? What happens to it? What might this symbolise? What happens to it? What does Emilia plan to do with it?

What do you think motivates Emilia to take the handkerchief to Iago?

What does Iago plan to do with the handkerchief?

When Othello returns to the scene upset, what warning does he give Iago?

What 'proof' of Desdemona's disloyalty does Iago give Othello?

What is Iago's final 'proof'?

What is noticeable about Othello's language in this scene?  








Sunday, 10 April 2016

Act 3 scene 3 BIG QUESTIONS

BIG QUESTION 1

Act 3 scene 3 BIG QUESTION 2

Act 3 scene 3 BIG QUESTION 3

I had rather be a toad
And live upon the vapour of a dungeon
Than keep a corner in the thing I love
For others' uses. (3.3.274-278)

  1. How does this scene relate to Othello and hubris (excessive pride - part of the tragic elements)? How might Othello's pride mean he is more concerned by Iago's suggestions about his wife's possible infidelity? Consider:
    1. How he reacts to Iago's suggestions once Iago has left, and what he says about Desdemona (262-281)
    2. How Othello may feel, knowing that Iago seems to be holding back information about Desdemona - it seems like Iago knows something he does not
Post your response to your blog and be prepared to share your ideas with the rest of the class. You can present your work in whatever format you wish, as long as it can be uploaded to your blog.